Callanish Stones in Black and White

Callanish 2
Callanish 2

I was quite pleased with the color images in my previous post, especially given that they are from negatives over 30 years old. However, when I made prints for a print critique session, I was surprised by everyone's reaction: “Make them in black and white.” The subject is the stones, their forms and textures, they said, not the color. So I made a black and white version of each, which you see here. Quite a different feeling in black and white! Why is that?

This is what I think occurs when viewing black and white photos. By removing color, an image is one step removed from reality. It is partially abstracted, and the viewer reacts differently to the image because of this abstraction. With black and white, the viewer's imagination plays a bigger role, much like the way a radio drama can engage the listener's imagination in ways that television can't.

I still like the color versions, but for me the black and white versions have a stronger impact. They are mysterious and mystical. To put it simply, the color image is closer to what I saw when I was there; the black and white is closer to what I felt.

What are your thoughts? Which version do you like better, the color or the black and white? Why?

 

Happy New Year!

Stonehenge
Stonehenge

Yes, it's another scanned image, this time from a 35mm b&w negative taken in 2000. I have lots more images to scan, but my resolution for next year is to post new work as well.

Next year promises to start out busy. I am currently preparing for a photo presentation of megalithic sites in Europe, including the photo above, to be given in March. Also, as a member of the Soho Photo Gallery, I am participating in an exhibit along with several other members at the Red Filter Gallery in Lambertville, NJ.

As the sun sets on 2011, I want to wish everyone a happy, healthy, and joyous 2012.